Vision: A Resource for Writers
|
Holly Lisle's VisionWorkshopZette's
Quick Guide to
|
1. What is a short story?
|
|
|
A short story is often an incident, not an entire history; an adventure, not the whole quest. A short story focuses on the defining moment in time -- the high point of tension in the adventure. Quite often
they also cover a limited amount of time. A novel might cover the
entire life of a character, but a short story will draw out one single
incident. This is why writers are occasionally able to create entire
novels based on a previously published short story. There have
been short stories that break these 'rules' of course. But if you
are trying to write your first short piece, these guidelines might help. |
|
SFWA (Science Fiction Writers of America, Inc.) word
count lengths
|
|
2. Finding Short Story Ideas & Keeping Them Short |
|
|
When you get
an idea for a story, many of us immediately let it grow as we look at
'who' and 'why.' Instead, imagine your character or incident, and
grow the story from there -- don't look at the character's entire life.
Don't start a
short story with the main character at the age of five, helping in his
father's shoemaking shop if the 'incident' is about how the
nineteen-year-old young man went to sea. We don't need to
'see' him that young, though that background can be mentioned as a reason
he went to sea, but don't start a short story there. There is no
set number of incidents/days/etc. that a short story must be. The
trick is to limit your writing to what absolutely needs to be told. Short stories are no different than novels in most writing-respects. The trick is entirely in focusing on the story and not allowing yourself to wander off that path.
|
|
3. How to create obstacles |
|
|
Obstacles are
important to all types of stories. If nothing happens, the story is
static. If too much happens, it's unbelievable, and if too little,
it's boring. And with
short stories the problem is compounded by finding the obstacles that will
not take the story away from the main plot. In a novel, the
characters may take many false leads, and wander all over the world before
they reach their goal. In a short story, the characters are already
standing outside the castle, and their wandering is past. This is the
moment of truth. They will still face problems, but those problems
will be inherent with what is on the other side of the door. Many people find that an outline works as both a map and a limiting agent for writing shorter pieces.
|
|
|
|
|
4. Working in the Right Details |
|
|
Too often,
people believe the way to write a short story is to leave out details.
This won't work any better than it would with a novel. The trick,
just as with limiting the incidents, is to limit the details of the story
to what is absolutely needed. World
building a massive continent, peopling it with a dozen tribes, and giving
each of them their own government and religions can be fun. But if
your story is about someone who finds peace with her mother, and never
leaves her little village, don't pile that entire world building into the
story. Concentrate on the details at hand -- the village and the
people there. Most novel writers find this particularly hard. They often feel that the story lacks depth because they can only focus on the immediate story. It's sometimes difficult to get the feel right. Just like any other form of writing, it takes practice.
|
|
|
|
|
5. Description |
|
|
Description
works just a little differently than detail. Details are the larger items
to bring into the story -- what information the reader needs to know to
follow the story and not get lost. Details are
the colors, sounds, scents, etc. that make the world seem alive.
Judicial use of description can help focus the reader just where you want
them to look -- either to see something important, or to miss something
equally important. Padding a
short story with too much description can be far more obvious in the
shorter venue than in a novel. And cutting all the description to
make a story fit a certain word length is also noticeable. Keep to the items at hand. It's no different than writing the details for a chapter where the characters are not in their usual spot for the novel. Just don't bury them in details, trying to bring in all that world building again. Concentrate on the important parts.
|
|
|
|
|
6. Send that puppy off... |
|
|
So you've written, rewritten, edited... The really
great thing about writing short stories is that you don't have to do
outlines, synopsis, or any of the other distressful supplements to novels.
Even the cover letter for a short story is... well, short. Do research your possible publications. Read the guidelines, most of which can be found on-line, even for the print publications.
|
|
Of course that's
not all there is to writing a short story. There is the matter of actual
plot, POV, and all the other things... but if you have been writing longer work,
then you've already dealt with exactly the same technical issues, but on a
larger scale. If you have not written either short pieces or longer
novels, then this might be a way to get your first feel for them without
committing to the years of work that it takes for a normal novel.
The most
important factor, though, is just to have fun!